Dallas Architecture Blog discusses Modern architecture and Mid Century Modern
Homes, Dallas Neighborhoods, Dallas Real Estate and the Aesthetics of the City.

Architect Maurice Fatio designed home 1939, architect Peter Marino renovation 2002

Most modern architects sneer at eclectic designed European inspired homes. Architecture aficionados also have a general bias towards modern and a disdain for the reputation of generic styles and spaces that are driven by the exterior design. The reaction of the Crespi/Hicks estate is much different. This is a home modern architects, and anyone interested in architecture, love.

At Conclusion of 20th Century, AIA Identified Crespi Estate as Architecturally Significant Home

The Crespi Estate designed by architect Maurice Fatio

To celebrate the 50th Anniversary of the American Institute of Architects, Dallas Chapter, there was a citywide survey of architecturally significant homes by those in the community most involved with art, architecture and design. After a committee of 250 people most knowledgeable about Dallas and architecture nominated significant homes, the selection committee met in the Scott Lyons designed home of Margaret McDermott, the honorary chairman, and reviewed 100 years of Dallas significant homes.

Scott Lyons designed Texas modern home

The committee included Deedie Rose representing the Dallas Museum of Art as president of the board of trustees; Nancy Marcus, president of the Dallas Institute of Humanities and Culture; Bryce Weigand, president of the Dallas Chapter, AIA; James Pratt, FAIA, representing the greater Dallas Planning Council; Rick Brettell representing the Dallas Architecture Forum as its founder; Robert Meckfessel representing Preservation Dallas, Harry Robinson representing the African-American Museum; Bill Booziotis representing the Dallas Architecture Foundation; Emily Summers representing the American Society of Interior Designers, Dallas Chapter; Rita Clements representing the Dallas Historical Society as president, and me as the AIA appointed chairman of the Dallas 50 Significant Homes project.

Surprisingly, the significant homes nominated were very evenly distributed through every decade of the 20th century. All architectural styles were represented with modern homes from every decade receiving much attention. There was one home, however, that everyone was enthralled with and where the reception announcing the significant homes was held – the Crespi/Hicks estate in Preston Hollow.

Modern Architects Laud Crespi/Hicks Estate

Found in Preston Hollow, the Crespi/Hicks estate is considered the finest estate home in America.

Modern architect Bill Booziotis, FAIA, who has designed many modern art galleries and museums, said about the Crespi estate,

Hoffman Gallery designed by architect Bill Booziotis, FAIA

Dr. Richard Brettell, who has a Master of Arts in architecture and a Ph.D. in art history from Yale University, and who is the former director of the Dallas Museum of Art and currently the Professor of Aesthetic Studies at the University of Texas at Dallas, said about the Crespi estate,

Dallas Museum of Art designed by architect Edward Larrabee Barnes, FAIA

Texas modern architect Frank Welch, FAIA, was quite taken with the Crespi estate. He said,

Texas modern home designed by architect Frank Welch, FAIA

James Pratt, FAIA, who has been recognized for his conservation and land planning efforts, along with the modern homes he has designed, said of the Crespi estate,

Modern home at 9035 Broken Arrow designed by architect James Pratt, FAIA

The bias of the committee was not towards large houses, but for architecture that was compelling, that made a statement, that furthered design and reflected significant homes. While many large houses were quickly dismissed, the Crespi estate enchanted everyone by its proportions, materials, artisanship and its relationship to the site.

The Crespi/Hicks Estate Continues To Embrace Many of the Tenets of Modernism

Separate structures allow each room to have more sunlight

New York designer Peter Marino, the renovation architect, approached this home in the same way as Maurice Fatio, the Swiss architect who worked primarily in New York and Palm Beach, approached this home. The emphasis remained on proportion, materials, and architecture authentic to its site and style. Peter Marino, who recently designed the Louis Vuitton flagship store in Rome, also approached the project as a modernist, capturing light and creating rooms with real purpose and function.

Sunlit room in the Crespi/Hicks estate

Rather than expanding the home with a labyrinth of windowless rooms, he took the approach most often seen with modern architects and sited separate structures with specific functions that relate visually to the house, but are not attached to the house.

Pool house separated by the gardens of the Crespi/Hicks estate

The pool house, surrounded by manicured lawns and hedgerows with openings for paths to the main house and guest house, relates to all three houses.

The formal guest house of the Crespi/Hicks estate is easily reached from the pool house from this direction

The formal guest house with a path to the Crespi/Hicks estate home

The guest house is pushed close to the forested creek, but has a path to the breakfast room and kitchen of the main house. Gardens both separate the structures and tie them together.

Architect David Williams, FAIA, Created the Texas Modern Architectural Style

David Williams is known as the mentor of Texas modern architect O’Neil Ford and for creating the Texas modern style. David Williams goal was to take the modernism of Europe and merge it with the indigenous style, materials and artisanship of the region to create architecture as modern as any project in Europe.

Early Texas modern home designed in 1932 by architect David Williams, FAIA

The open floor plans of David Williams’ Texas modern homes are continued with terraces, porches and courtyards. The honesty of the structure and materials used are accentuated by the hand carved detail created on site.

The Crespi Estate Shares Similarities of Approach and Aesthetics With David Williams’ Texas Modern Homes

Crespi/Hicks estate, surrounded by manicured lawns and cultivated gardens

The Crespi estate was designed just a few years after David Williams, FAIA, originated his breakthrough Texas modern homes. While architect David Williams designed homes rooted in modernism and the indigenous styles of Texas, and Maurice Fatio designed homes rooted in classical European traditions, the two share many similarities in their approach and aesthetics. Both architects emphasized proportion and function. Just as David Williams designed a large magnificent Texas modern home in front of Turtle Creek in University Park, Maurice Fatio selected a site where the Crespi/Hicks estate is placed in front of White Rock creek that runs behind it.

Texas modern home sited on Turtle Creek designed by architect David Wiliiams, FAIA, in 1933

Crespi/Hicks estate, sited on White Rock creek, surrounded by forest and ponds

Both architects emphasized terraces, porches, balconies and open courtyards to capture the breezes. David Williams emphasized the honesty of materials and artisanship. He employed Hobbs Ford to carve ornamentation into the structure of the house and make the wrought iron fixtures on site. Maurice Fatio also employed artisans to carve stone and wood on site and had Potter Iron Works come to the site to forge wrought iron for the staircase. While the styles differ, both architects’ work represents uncluttered clean lines.

Artisans worked on-site at the David Williams, architect-designed Texas modern home

Artisans carving stone on-site at the Crespi/Hicks estate

Carved stone at Crespi/Hicks estate

Crespi/Hicks Estate Preserves Art Deco Underpinning of Era

Art Deco bar at Crespi/Hicks estate

The great Art Deco and Art Moderne houses were designed around 1936, including one that Maurice Fatio designed in Palm Beach. Maurice Fatio brought elements of Art Moderne to the Crespi Estate. It is fun to see vestiges from that modern period in the main hall chandeliers and the Art Deco bar that the late Lupe Murchison called “the best bar in Dallas.”

The Crespi/Hicks Estate Reflects the Modernity of Its Time in 1939

The Crespi/Hicks estate embraces modern technology. It was the first home in Dallas with central air and heat. It is also a home that is designed with the site and environment in mind. The summer breezes from the southeast sweep down the long hill, across the balconies, loggias and terraces, cooling the home.

Crespi/Hicks estate tucked away at bottom of hill

Wells have been dug to collect water in ponds to irrigate the lawns, flowering gardens and vegetable gardens. The land, forest and creeks have been protected. Materials that will survive for centuries have been used and renovation preserved the original materials and finishes or they were used in other rooms.

Maurice Fatio Designed a Remarkable Estate Home – Peter Marino Completed the Original Architect’s Intent

The Crespi/Hicks estate emphasizes preservation, advances architectural design in the 21st century, and provides an estate home that embraces the tenets of classicism and modernism.

A rose garden at the Crespi/Hicks estate

Huffington Post – The Finest Estate Home in America Found
Architecturally Significant Homes – The Finest Estate Home in America

The best modern homes receive attention and awards when they are first designed, continue to influence the architectural landscape, and remain compelling 25 years later. This Preston Hollow modern home designed in 1985 continues to be an example of great architecture in 2010.

Renovation Design of This Contemporary Architectural Achievement

Some architects cannot stand to see any tampering with their original work, but many of the finest and most self-confident architects do enjoy seeing a thoughtful massage of the original design. Materials, technology and client resources change. For example, sometimes an expensive standing seam copper roof has to be cut for budgetary reasons during the original construction, and then a renovation allows it to be reinstated in the design. Modern architecture draws from classic design and explores contemporary thought. Renovation allows the best ideas to survive and the others to be edited.

Gary Cunningham Designs Renovation of His Own Award Winning Architecture

What fun when an architect is invited to revisit one of his or her architectural projects. The renovation stakes are even higher when the original design is iconic, celebrated and lasting. Gary Cunningham not only accepted the invitation to design the renovation of his own work, he accepted the invitation twice from the same client. The first renovation Gary Cunningham designed included the kitchen; the second renovation design Gary Cunningham did on this modern house included the master bathroom.

Successful Renovation is the Result of a Great House, Great Architecture and a Great Client

Here on Northaven the renovation was so successful because the design had been tested by time and was very good. The client has exquisite taste, a good eye and was committed to only accentuating the original design of this modern home inspired by Mies van der Rohe’s unbuilt brick country house. The Gary Cunningham-designed renovation further enhanced the natural light and art lighting and preserved Post Modern elements that are now translated as pure modern. Magnificent pieces of stone were installed in the kitchen that was opened up. The clean lines of Carrara marble contributed to the sleek, modern master bathroom.

Sited on a Peninsula Overlooking Water

Architects love finding a great site and designing a home that reflects the beauty of the land and setting. Architect Gary Cunningham designed this home with windows overlooking the green terrain, and rooms cantilevered over the water. Here the architect explored the site and designed a home fully integrated into the natural beauty of this setting. As a real estate broker it gives me great pleasure to be able to offer for sale a home of this aesthetic quality.

The Success of the Northaven Modern Home Was Followed with Dozens of Additional Citation, Merit and Honor Awards Given by Texas Society of Architects and Dallas AIA

Here are architectural projects designed by Gary Cunningham, FAIA, including commercial buildings, sacred spaces, schools and residences that have received well deserved awards.

Texas Society of Architects Design Awards

1984 14840 Landmark Office Building, Dallas, Texas
1985 Benchmark Office Building, Longview, Texas
1989 Exhibit of Cunningham Architects at the University of Texas at Arlington
1989 Powerhouse, Dallas, Texas
1990 Steak and Ale Corporate Headquarters, Dallas, Texas
1992 Addison Conference and Theatre Center, Addison, Texas
1992 Cistercian Abbey Church, Irving, Texas
1994 4401 Travis Street Apartments, Dallas, Texas
1997 Latorre Residence, Dallas, Texas
2001 Texas Utilities Customer Service Center, Waco, Texas
2002 Casa Caja, Dallas, Texas
2005 Casa Angosta, Richardson, Texas
2005 Pump Station, Highland Park, Texas
2006 Addison Arts & Events District Pavilion, Addison, Texas
2009 House in the Garden (Nearburg Residence), Dallas, Texas

Dallas Chapter of the AIA Design Awards

1984 Benchmark Office Building, Longview, Texas, Merit Award
1984 14840 Landmark Office Building, Dallas, Texas, Merit Award
1987 Exhibit of Cunningham Architects at the University of Texas at Arlington
1988 Sesler House, Dallas, Texas, Citation Award
1989 Power House, Dallas, Texas, Honor Award
1990 Now/Then/Again, Exhibit at the Dallas Museum of Art, Dallas, Texas, Merit Award
1990 Grace Lutheran Church, Carrollton, Texas, Merit Award
1992 Addison Conference and Theatre Center, Addison, Texas, Honor Award
1992 Temple Shalom, Epstein Chapel, Dallas, Texas, Citation Award
1993 Cistercian Abbey Church, Irving, Texas, Citation Award
1994 4401 Travis Street Apartments, Dallas, Texas, Merit Award
1995 Prince of Peace Catholic Community, Plano, Texas, Honor Award
1996 Latorre Residence, Dallas, Texas, Merit Award
1998 Cole Avenue Apartments, Dallas, Texas, Merit Award
1998 Healy House, Dallas, Texas, Citation Award
2000 TXU Service Center, Waco, Texas, Merit Award
2000 Dallas International School, Dallas, Texas, Honor Award
2001 Haggerty Art Center, Irving, Texas, Merit Award
2002 Casa Caja, Dallas, Texas, Citation Award
2003 7th Floor Gallery, JFK Museum, Dallas, Texas, Merit Award
2004 Casa Angosta, Richardson, Texas, Merit Award
2004 Addison Arts & Events District Pavilion, Addison, Texas, Honor Award
2008 House on Cedar Hill, Texas, Merit Award
2010 Wimberley Residence, Citation Award

Other Awards

1985 Longview Beautification Award for Benchmark Office Building
1986 Dallas Chapter of AIA, Young Architect of the Year Award
1987 Distinguished Architect of the Year Award, The University of Texas at
Arlington School of Architecture
1989 National Glass Association, Honor Award for the Power House
1989 Delta Sigma Tau Silver Metal Award, Texas Tech University
1989 National Curatorial Award for the Now/Then/Again Exhibit at the Dallas Museum of Art
1990 International Association of Lighting Designers Award of Excellence for the Power House
1990 Illuminating Engineering Society Honor Award for the Powerhouse
1991 Illuminating Engineering Society Merit Award for Epstein Chapel
1992 Dallas Theatre Award for The Addison Centre Theatre
1994 International Association of Lighting Designers Award of Excellence for the Cistercian
Abbey Church
1994 Emerging Voices, Architectural League of New York
1995 Young Outstanding Texas Ex, The university of Texas at Austin
2003 Illuminating Engineering Society Merit Award for Sacred Space
2005 Illuminating Engineering Society IIDA Legends Award for Addison Arts & Events District
Pavilion
2006 International Association of Lighting Designers (IALD) Merit Award, House in the Garden

O’Neil Ford Influenced the Timeless Architecture of Scott Lyons and Frank Welch

Why are some modern architectural designs (such as the work of O’Neil Ford, FAIA, Scott Lyons, FAIA, and Frank Welch, FAIA) new, progressive and influential while other modern designs seem trendy and tired at the same time?

The Best Architecture for a Site Creates Timeless Design

Timeless modern architecture is inspired by the site, crafted by the finest artisans, and built using the best technology and materials of the time — those that are familiar as well as technologies and materials that have recently become available. Every era has its achievements from which we build, reinterpret and admire. Great design of any period remains great design.

The Haggerty/Hanley House Designed by O’Neil Ford Draws From Past and Influences Future

The Haggerty/Hanley house that architect O’Neil Ford designed in 1957 is a great example of timeless design. This midcentury Texas modern home draws from Ford’s earlier 1930s Texas modern work as well as that of David Williams, FAIA, which combined elements of European modernism and pioneer houses. This home is artfully situated to emphasize the site and orientation of the home in relationship to the sun much like the first Texas modern home David Williams designed in 1933 on McFarlin Boulevard with views of Turtle Creek. The Haggerty/Hanley home is also considered the best combination of Texas modern architecture and Texas modern art.

O’Neil Ford Designed the Haggerty/Hanley Home Almost As If It Were a Village

Architect O’Neil Ford designed the Haggerty/Hanley home in a much larger scale, one that is common today but rare in Dallas at the time. Taking advantage of the beautiful acreage bordered by a creek, O’Neil Ford designed the home almost as if it were a village, much like the early homes of Texas. It is set down from the street, wrapping around the topography with walls of windows in the living areas closest to the creek.

Even when designing in this larger scale, O’Neil Ford drew from his memory of sketching earlier pioneer homes. O’Neil Ford also still relied on the same artisans like his brother Lynn Ford (who did the metal work and wood carvings on O’Neil Ford’s first modern home) for the architectural details on the Haggerty/Hanley home.

O’Neil Ford’s Haggerty/Hanley 1957 Home Directly Influences Architect Scott Lyons’ 1983 Designed Home and Architect Frank Welch’s 2004 Designed Home

O’Neill Ford

Scott Lyons

Frank Welch

The Haggerty/Hanley home reiterates detail and handcrafted artisanship while creating new volumes and uses of materials that influenced great architects like Scott Lyons and Frank Welch who worked with O’Neil Ford and whose later work reflected Ford’s influence.

These three Texas modern homes by O’Neil Ford, Scott Lyons, and Frank Welch were built over a span of 50 years and yet all remain architecturally current and influential. The beautiful estate area acreage and topography drove the design of each of these homes. All three are approximately 10,000 sf, built with steel frame construction, and designed as a series of attached structures with a significant secondary structure.

The O’Neil Ford Designed Haggerty/Hanley Living Room Has Influenced Architects for Over 50 Years

Architects locally and around the country come to see this midcentury modern Texas home and the living room O’Neil Ford designed. Architects admire and absorb the hand carved open wood screen, the continuous walls of soft Mexican brick, the walls of windows overlooking the lawn and sculpture garden as it descends to the creek, the pitched ceiling that gives balance to the spacious dimensions of the space, and the stick ceiling that acoustically softens the room and brings warmth. The floating wall gives separation without impeding the immense openness of the room.

Architect Scott Lyons Reinterprets and Further Modernizes Design Inspired by O’Neil Ford

In 1983 Scott Lyons was selected to design a home on possibly the most beautiful land in Preston Hollow. Like O’Neil Ford, he submitted the design of this modern home to the landscape. Scott Lyons set the house down from the street with the main living room closest to the deep ravine and spring fed creek. The home expands and cleans up the horizontal axis while still retaining the indigenous qualities of the materials and details. An open wood screen shields and announces the living room from the front door. A stick ceiling is not used as a finish, but an exposed ceiling joint on the pitched ceiling dramatizes the precision in which the house was built. The oversized soft Mexican brick complements the warmth of the cross-cut white oak. The wall of floor-to-ceiling windows wraps around the room, providing views of the creek and small lake beyond the garden. While the house almost disappears when viewed from the street, from inside it affords a spectacular view of the beautiful land on which it is set.

Frank Welch Identifies O’Neil Ford Designed Living Room as Room That Inspires Him

Approximately 50 years after O’Neil Ford designed the living room in the Haggerty/Hanley home, Frank Welch designed the living room for this home in the estate area of Bluffview. A wall of windows looking over the garden, a pitched ceiling with a tight pattern of parallel sticks, a floating wall, and cross-cut white oak finishes add depth and polished texture to the room.

Frank Welch does not mimic the past. Frank Welch designs homes that reflect ideas of the past that he advances with new technology, greater precision, proportions that are perfect, and a design that is fresh, exciting, and will influence generations in the future.

Great architects like O’Neil Ford, Scott Lyons, and Frank Welch have designed modern homes that are perfect for the site, beautifully crafted and articulated, and offering a new vision for future generations.

See more information and photographs on this Scott Lyons architect designed home offered for sale.

Highland Park and Dallas Preservation Plans

I’m excited to report that residents of Dallas and Highland Park have two new avenues for historic preservation of their homes. One is a proposed new initiative in Highland Park that should be in place by early 2010; the other is an effort to expand the presence of an existing national program to the entire Dallas area. Together, these important preservation tools will give property owners additional protections for the exterior of their homes, in ways that protect their home into the future.

Property Owners Have Sole Right to Add Preservation Protection

With most preservation tools – such as local ordinances, preservation districts, etc. – restrictions or requirements are imposed on individual property owners by the neighborhood, community or government. However, the preservation tools coming to Dallas are different because homeowners can initiate restrictions on their own property.

Park Cities Historic and Preservation Society, and Trust for Architectural Easements

By coincidence, I had two appointments fall on the same Monday – breakfast with Dan Reardon of the Trust for Architectural Easements, who was in Dallas for a two-day exploratory visit, and lunch with Marian Ann Montgomery of the Park Cities Historic and Preservation Society to discuss preservation in the Park Cities.

Park Cities Historic and Preservation Society

Marian Ann Montgomery and the Park Cities Historic and Preservation Society are working with the town of Highland Park on a historic preservation ordinance that would allow individual homeowners to submit their property for designation as a protected structure. The town of Highland Park will participate by managing and enforcing the ordinance of the properties accepted for protected status.

This approach is really quite brilliant because no districts or ordinances – historic, conservation or teardown – are crammed down the throats unwilling homeowners. This preservation ordinance will only apply to properties put into place at the request of the property owner. Architecturally significant Highland Park homes will be preserved, architectural prestige enhanced, and momentum generated for maintaining the architectural landscape of Highland Park. Highland Park township resources will be better employed on preserving significant structures rather than imposing unwanted restrictions on non-receptive property owners.

Trust for Architectural Easements

Don Reardon was in town as part of an exploratory visit for the Trust for Historical Easements, which is looking to make Dallas a major part of its efforts. This trust has been very successful this decade in receiving façade easements and protecting the future of these buildings, both residential and commercial. Here again, this preservation measure is deployed by the property owner, assisted by the Trust and acknowledged by the Department of the Interior, which grants a 3% – 17% tax deduction for the donated façade. Characteristically a property owner donates the façade easement to the Trust for Architectural Easements after the Trust helps the property owner place the property on the National Register of Historic Places. The Trust then owns and controls the façade and the property owner receives a tax deduction in the 3% – 17% of the building’s value, most often around 10% of the home’s value.

Members of the Trust for Historical Easements have identified Dallas as an area with great houses and great architecture, with people interested in preserving it. I think that’s exciting.

Architectural Patrons and Philanthropists

These preservation incentives will resonate with architectural patrons, philanthropists and those people who love the aesthetic landscape of Highland Park and the Dallas area. Donating a façade easement to protect the architecture in perpetuity is much the same as donating a piece of art to a museum – except the donor doesn’t have to worry about the architecturally significant home being put in storage. Architecture is our public art. Often, more people will see the front of an architecturally significant house than will see a painting or sculpture in a museum. Dallas is a city of patrons and philanthropists that astound the rest of the world with their giving. These preservation tools provide yet another avenue to improve our community through giving.

Owners Who Are Already Protecting and Preserving Their Homes

We know that there is an audience for these types of voluntary preservation tools because we are already seeing great citizens protect their homes. Whether these homeowners elect to participate in one of these programs or elect to take a tax deduction is irrelevant because measures are already in place to preserve the architecture.

Stanley Marcus Home

Years ago, the Lovvorn family of Dallas initiated historic designation for their home, which was formerly owned by Stanley Marcus. They have accepted landmark status and are in the process of doing further renovation.

Edward Durell Stone Designed Home

Owners of one of the great American modern homes of the 20th century, Jennifer and John Eagle, retained architect Russell Buchanan for a masterful renovation of this Edward Durell Stone designed home. They are making plans to preserve the home for future generations.

John Allen Boyle Designed Home on Overhill

Few eclectic homes have a façade as distinctive as this home designed by John Allen Boyle, who was also the architect for The Mansion on Turtle Creek. Denny and Connie Carreker have been relentless about renovating and protecting this home, including putting the original parcels of land back together.

Scott Lyons Designed Home

This Highland Park home, one of the most important homes designed by Scott Lyons (and one much loved by the community) will be given to an important foundation so that it may be preserved and used in much the same way it has been over the last 50 years.

Fooshee and Cheek Designed Home

Jack Knox has made one of the most dramatic revisions on a home on Armstrong Parkway people now love.

Many Successful Preservation Efforts in Dallas

There have been many successful preservation efforts in Dallas. The nation’s most successful neighborhood revitalization occurred in what are now Dallas’ historic districts. The city possesses an abundance of conservation districts. We’ve had mixed success with a teardown ordinance – that may have created more acrimony than value. But most importantly, I’m seeing increasing interest in architecture and preservation. And I’m heartened by these two new preservation tools, with their potential to further protect architecturally significant homes and to assist homeowners in preserving great properties into the future.

Austin stone house becomes available in the same 125-home neighborhood of Mayflower Estates

A spectacular home designed by Highland Park and Preston Hollow architect Hal Yoakum just came on the market, only one estate home away from the Bushes. 

While President Bush bought a good home, if only he could have waited.  This Austin stone home has a similar configuration but with more square footage, and is better sited on more land and is offered at a much lower price than where the Bush home traded.

The home has an informal and rugged feel, with stone or wide plank wood floors.  The 750-square foot informal living room with pecked cypress wood walls and a fireplace as tall as a person, expresses warmth and distinction.

Despite its informality, the home’s proportions and quality of finishes are stately. The 27-foot long dining room can seat 50 for a formal dinner. A master bedroom suite boasts a presidential sized office and equally lavish executive bathroom. The master bathroom has been recently renovated. A wall of windows and door look out to a totally private courtyard framed in green.   

On the second floor are two guest bedrooms and an enormous informal living area, a perfect recreation area.  Like the President’s house, this home has a minimally attached two-story guesthouse.  This one, however, looks over the large swimming pool with a diving rock and extensive gardens.  

This Preston Hollow Home is Larger and on More Land Than President Bush’s Home

The home is somewhat larger than the Bush home, and sits on a considerably larger lot – 1.288 acres – with phenomenal views of the ascending 50 acres of treetops of the two adjacent estates. Offered at $2,695,000, it’s remarkably less expensive than the home the President purchased a few months ago.

One of Original Grand Preston Hollow Houses Designed by Highland Park Architect Hal Yoakum

This Austin stone home designed by Highland Park architect Hal Yoakum is one of the one of the early grand houses built in the Preston Hollow estate area, located right in the heart of Mayflower Estates.  The home’s style and elegance complements the country lane feel of this neighborhood. 

Home Surrounded by Neighboring Lakes, Greenbelts, and Estate Properties

Estate Property buffers view of nearby homes.  Only over a rear garden wall will you see a glimpse of a roof top of a nearby home nested down on a lower perch above the creek and a three acre private greenbelt accessed by a foot bridge. 

Across Hollow Way, there’s a stunning view of a small private lake, with swans and ducks, surrounded by expansive lawns and extensive acreage filled with private gardens.  On the other side of the home is one of architect Cole Smith’s favorite homes that he designed. Within this small neighborhood, you have some of the most prominent Dallas families in both large and very subtle homes.

Mayflower Estates Home Exudes Value

This home represents such an excellent example of Mayflower Estates. The place is large, graceful and subtle, with glass windows and doors looking out over what seems like endless pathways, courtyards and small gardens.  For more information on this early estate home with real value go to Featured Listings.